Monday, April 27, 2009

Best of Show at 2009 Napa Plein Air Biennial

To receive more information about this painting click here.

Alfredo receives Best of Show at the 2009 Biennial Juried Plein Air Exhibition at the Napa Valley Museum. Two paintings were accepted into the show with Light Play receiving the 1st Place. The prize for the award is a One Man Show at the Napa Valley Museum in the spring of 2010. Some of the other award winners were Carole Gray-Weihman, Wendy Franklin, Frank Gannon, Wendy Brayton and Larry Cannon. Other friends in the show were Camille Przewodek, who won the Best of Show in a previous Biennial, and Sterling Hoffmann.


Camille Przewodek, Carole Gray-Weihman and myself, Alfredo Tofanelli are the artists behind l'Atelier aux Couleurs: the Art Academy in Petaluma, Cailifornia where we teach weekly classes and host painting workshops for top plein air painters and colorists from around the country.

Sunday, April 26, 2009

Portrait Demo at the Pelican Art Gallery

To receive more information about this painting click here.

This was a demo that I painted at The Pelican Art Gallery during our show that was held there between the end of March and the middle of June. It was a four person show for the folks behind our art school, l'Atelier aux Couleurs in Petaluma, CA. The artist were Camille Przewodek, Dale Axelrod, Carole Gray-Weihman and myself, Alfredo Tofanelli.


Another artist with the gallery sat for me while I did an oil sketch on a 12x16 canvas board. I was demonstrating how to get a likeness by sketching lightly and building the value up as you work the whole painting at once. This allows you to make adjustments as you bounce around the board. Any early errant marks, since they were put down on the board lightly, will not take away from the likeness. This is done in a similar manner as a charcoal study, it's just that oils are less forgiving.


I use to start my head studies and portraits this way but rarely do anymore. They can be valuable as a rehearsal to the color painting but I find it more of a hindrance as you don't want to loss your beautiful drawing. Typically when I paint a head study I will only sketch in the big shapes with linework and then go right into blocking in the big shapes and shadow patterns in color. Adding features way down the road only after I have the correct color relationships down on the large masses.

Saturday, April 25, 2009

View from Giacomini Ranch


To receive more information about this painting click here.
This was painted on the Robert Giacomini Dairy north of Point Reyes as part of the Art on the Farm. The painting is looking south past the Point Reyes area.



From left to right Carole Gray-Weihman, Wendy Franklin and Alfredo Tofanelli painting at the Giacomini Ranch. Photo by Larry Bryson.

Tuesday, April 21, 2009

Lee's Ranch

To receive more information about this painting click here.

This was painted at Lee's Ranch in Penngrove. The family ranch has some beautiful views in just about every direction. This view is looking towards the Sonoma mountains. This was painted during a Randall Sexton Workshop that we were hosting at l'Atelier aux Couleurs.